David C. Woolard

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Bio from
The City Club

David C. Woolard (Costume Design) Broadway credits: Lysistrata Jones, West Side Story, Jane Fonda's clothing for 33 VariationsDividing the Estate, The Farnsworth Invention, Old AcquaintanceRing of Fire: The Music of Johnny Cash, All Shook Up700 Sundays with Billy Crystal, The Smell of the KillThe Rocky Horror Show (2001 Tony Nomination), Voices in the DarkThe Who's Tommy (1993 Tony & Olivier Award Nomination), Bells Are Ringing, MarleneWait Until Dark, Horton Foote's The Young Man From Atlanta, Sally Marr...and Her Escorts, Damn YankeesA Few Good Men.  Recent credits include Fat Camp at ATA Theatre, The Orphans’ Home Cycle at Signature Theatre Company, The Milk Train Doesn't Stop Here Any More at Roundabout, and the opera Death and the Powers in Monte Carlo.  Selected additional credits include Lucy Simon's musical Zhivagoat La Jolla Playhouse, Horton Foote's The Carpetbagger's ChildrenThe Stendhal SyndromeThe Day Emily Married with Estelle Parsons, The Donkey ShowCosi Fan Tutte and Madame Mao at Santa Fe Opera, Bare, and numerous regional theater credits include the Old Globe Theater, Goodman Theatre, Arena Stage, Oregon Shakespeare Festival, Guthrie Theatre, Seattle Repertory Theatre and Opera Theatre of St. Louis.  He is currently designing the world premiere of Oscar, an opera on Oscar Wilde, for Santa Fe Opera.

Bio from
White Noise


David C. Woolard (Costume Designer) Broadway: West Side Story, Dividing The Estate, Farnsworth Invention, Old Acquaintance, Ring of Fire, All Shook Up, 700 Sundays with Billy Crystal, Smell of the Kill, Rocky Horror Show (2000 Tony nomination), Voices in the Dark, The Who's Tommy (1993 Tony and Olivier nominations), Bells Are Ringing, Marlene, Wait Until Dark, Horton Foote's The Young Man From Atlanta, Damn Yankees, A Few Good Men. Off Broadway: Toxic Avenger. He has designed extensively around the country and Off-Broadway.